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WHAT IS CINEMATOGRAPHY IN FILM OSCAR PLUS
The craft of Best Director winner Ang Lee’s film is not in its camerawork, but elsewhere – as an adaptation, as an impressively convincing vision of Robinson Crusoe at sea plus a tiger. With films as finely shot – and with such fewer frills – as Inglourious Basterds, The Hurt Locker and Harry Potter and the Half-Blood Prince, it’s a shame the Academy couldn’t see past the veil of Avatar’s unstoppable popularity and supposed innovations to film.Īnother case of technical craft being valued greater than artistic accomplishment, Life of Pi is a decent film on a visual and narrative level, but simply undeserving of the award for Best Cinematography. This feels like a case where technical prizes were awarded where justified – as it nabbed wins for Art Direction and obviously Visual Effects – but the art of camera movement in the highest grossing film of all time is less about artistry than it is trickery in Cameron’s hollow extravaganza. The handheld style used to film most of this effects-laden epic tries to convince you of a filmic reality, but in the second dimension where it’ll forever be viewed (unless 3D TV’s really make it into the average living room) Avatar plays like a damn expensive, and utterly familiar, video game.
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However, Cameron’s first (of many more to come eventually and unfortunately) trek into Pandora doesn’t successfully inhabit a world, though I’m sure audiences and Oscar voters alike were astounded by the façade of his complex and expensive 3D technology back in 2009. Single-handedly sending 3D back to the forefront of Hollywood moviemaking, Avatar was a critical and commercial phenomenon that would, if nothing else, earn James Cameron respect for his talents as a director of unmatched technical ambitions. With eight total Oscars wins, Slumdog Millionaire capitalized on a generally weak year, but for the category in question, the film somehow beat The Dark Knight. The Best Picture winner of 2008 appeals to means of visual and narrative crowd-pleasing rather than providing a genuine slice of life perspective on poverty in India or any kind of Bollywood homage or revival.ĭutch angles, vibrant colors and kinetic, momentous energy only go so far in Slumdog, and it’s easily the least noteworthy of any film from any film walking away with Best Cinematography in the 21st century.
WHAT IS CINEMATOGRAPHY IN FILM OSCAR MOVIE
This list hopes to separate those films with timeless appeal from works of only a momentary impression.Ĭaught between the handheld grain of a Paul Greengrass Bourne movie or the saturated sheen of a J J Abrams joint, Slumdog Millionaire attempts to express the rags to riches tale of an Indian boy, filtered by Englishman Danny Boyle to please the minimal integrity of the undiscerning American masses cloying for sentiment of just this variety. The Academy Awards have honored films of beauty that deserved a golden statue in our millennia, while, as with any category or any given Oscar year, several injustices have been made. The camera has a relation to the spectator as well as what is being filmed it’s the bare bones of the genuine language of cinema. Cinematography is the aspect of filmmaking most unique to the medium.